To me, Nature is God. Without it, we simply would not exist. Conserving the world’s natural spaces and the creatures that live there is paramount to the survival of humans as a species, and I have therefore dedicated my life to studying environmentalism in order to help people co-exist more successfully and sustainably with the natural world.
All natural materials I use in my creations are either sourced from roadkill, Fish and Game, secondhand sources such as fellow artists and estate sales, or are antique. In this way, I'm ensuring that no animals were needlessly killed for the sake of the artwork I produce. I fully believe that no part of any creature should go to waste if a purpose can be found for it, but I do NOT support trophy hunters or overseas fur farms by buying 'byproducts' like bones, skulls, or claws directly from them. The only exception I make for this rule is for parts from animals legally culled for population control programs approved by Fish and Wildlife.
As a photographer and wildlife enthusiast, I've been involved with many fantastic organizations such as Images4Life and Wild Tiger, as well as the Sierra Club and many smaller, local groups.
I've been published, interviewed, and even featured on Rainn Wilson (Dwight from “The Office”)'s personal networking website, SoulPancake.com.
I’ve also been blessed with the opportunity to visit many of the world’s most amazing wild places, like Komodo Island, Bali, Lombok, Malaysia, and the Cayman Islands, and have even documented entirely new species previously unknown to science.
Other interests include: Wilderness survival, primitive skills, backpacking, fishing, kayaking, boffing, airsoft, snowboarding, meandering around town, and caving.
Catching Elephant is a theme by Andy Taylor
That we went to Burning Man together, and got split up in the confusion of the new layout they’d instated in said dream. Part of the Playa was covered in grass. It wasn’t right. It marked the change leading toward the end of the Burn.
But even so, Bear and I swore to enjoy ourselves. He looked good in this dream; he wasn’t gaunt, or overworked, or tired. In fact, he looked fantastic. But he was overwhelmed by all that was going on around him, as I was the first time I enjoyed Burning Man.
I took my time, and didn’t rush to look for him. I trusted the Playa to bring us together again. And sure enough, as I sat watching a video of a bobcat chasing a deer fawn on a huge TV in the middle of the desert, I saw him milling through the crowd, looking lost, but forever confident in himself. I waved and stood to walk with him. The rest of the dream was simple; we explored Black Rock City together, holding hands, kissing, and simply being satisfied with one-anothers’ company.
I’m ready to have him home.
4 times now, actually.
(Source: bewareofmpreg)
I was with the most awesome group of people for this one. Brown Bear was there, but we weren’t dating in the dream - we acted more like exceptionally good friends, and said, “I love you”, but there was no intense cuddling or physical contact, or even that feeling of mental connected-ness. It wasn’t a bad thing. I actually feel worse in dreams when we’re closer, because it hurts more when I wake up.
There was a lot of food in this dream. Amid the zombie invasion, in a world that was toxic and falling apart, there were still ice cream stands and Voodoo doughnuts, and we stumbled upon a man and his daughter who were stockpiling all the food they could find in a warehouse while growing their own fresh food on the roof.
We settled with them after traveling the state in a big rusted up bus, which crashed on the side of the road outside the man’s house. Brown Bear held my hand. Those friends who were traveling with us laughed at the situation as if it were all just part of the adventure - we knew we were going to die, so why stress about when and how?
I woke up feeling refreshed and optimistic. The colors in the dream were beautiful, and I was in love with everyone one of the people I encountered in it. What a beautiful thing the apocalypse would be if it played out like the dreams in my head.
I hate the number 333. It hurts to even type it. It makes me feel almost physically sick. And I don’t even know why. The color of the number isn’t anything unsightly (just a VERY intense deep green color), nor is the personality of green particularly offensive. It’ just something about that number that’s so….GRRR.
Anyone else have weird synesthetic experiences like this?
submitted by: spinningincircles95
My brain does this automatically - it’s called Synesthesia.
I don’t want to dream anymore. I keep seeing him, and it makes me so happy, but when I wake up and realize that I have to wait another 6 months, the pain it brings makes me wonder if the dream and the moment of happiness it brought was really worth it.
(Source: o-z0ra)
Art by: Don Kenn.
I see these things in my head all the time. My dreams are strange ones.
I live in an orphanage. This is not uncommon for me in dreams, and, contrary to the stereotypical idea of an orphanage, I’m pretty well-cared for. We’re even going to have a huge Halloween feast. And there’s a ton of beautiful food set out on a table in the middle of a room with lace curtains and huge windows which look out into the autumn forest beyond the lawn. It’d dark outside, and the waning moon is just a sliver in the sky, framed by a ring of fog that makes the light travel in an eerie manner.
Before the feast begins, I hear word that a psychopathic killer from the nearby mental ward has escaped into the woods outside. I know exactly who it is, as I killed him once in a dream I had many months ago. He is the only person I’ve ever felt the need to kill out of spite, and I know that I my friends are in danger.
Sure enough, a note appears on the foggy window outside my sister’s room: “The game is on. You’re next.”
We call the police. They don’t take the message seriously. So we take matters into our own hands: Mary and I gear up and prepare to fight for our lives, but a friend steps in to help. Tyler is armed with brass knuckles, and inspires one of Mary’s friends to join the gang, as well. I am, as usual, armed with nothing but a hardwood staff fashioned from a broomstick I’ve found in a closet. Weapons are not encouraged in the orphanage for obvious reasons, so we must be creative.
With that, I grab a bit of food from the feast table, abandoned by the others who have gone to hide in their rooms, and we trudge off into the fog-heavy woods.
The path is lined with gravel, which crunches in the cold air beneath our feet. The moon casts a silvery glow which turns orange when it filters through the fall leaves of the trees overhead. I feel chilly, but there is a warmth in my chest borne of anticipation and a readiness to fight. I want to end this man; and this time, I want to do it right. But I don’t want to kill him –I merely want to leave him unable to harm any more of the people I care for.
The problem is, this man is no normal man. He is a shape shifter, and can make himself appear crippled when he is not, frail when he is strong, and old when he is in fact quite young. I underestimated him when he murdered my friend Grizzly Bear; I thought I’d killed him by driving an ice pick through his tear duct, but I guess I was wrong. This time, I would mangle him far worse. He wouldn’t be able to hurt anyone once I was through with him.
Tyler, walking slightly ahead of me, suddenly stopped and held his arm out to keep me from taking another step forward. There was something ahead of us on the trail, laying in a heap beneath a clearing in the treetops so that the moon shone down on it to reveal fur, and stripes, and heavy body that appeared lifeless.
I pushed Tyler aside and walked toward the motionless tiger. Everyone else remained a fair distance behind, apparently safe with the idea of fighting a murderer, but not okay with the idea of fighting a wild animal which appeared dead to begin with.
I leaned down to see the big cat’s face, and with a sudden growl, it lifted its head and started directly at me with two blind eyes.
Before I could move, it lunged past me and leapt at Tyler, but I lifted the broomstick over my head and brought it crashing down onto the big cat’s spine. It let out a snarl and fall limp at my feet.
I was about to let out a sigh of relief, when another, bigger tiger lunged at us from the hillside to our left. I faced him with the broomstick at the ready, and felt his warm breath reach me, even from several feet away. The swatted, testing my reflexes, and I blocked his massive paw with my staff. I told him in my mind, “I don’t want to fight you. I didn’t want to fight your friend. We’re not here for you; we’re here for a man-killer.”
And the tiger lowered his head as I relaxed my grip on the broomstick. He walked past me to nudge his blind comrade, and, much to my surprise, the blind tiger lifted himself off the ground and walked away with the other, seemingly unharmed aside from a mild limp. He paused just for a moment to look back at me with his big blind eyes, and they glowed pale blue in the moonlight. I was glad that I hadn’t killed him.
Further into the forest, we encountered an old man. I thought, for a moment, it might have been the killer, so I questioned him and threatened him. But he was not the snide, sarcastic, defensive old man our target disguised himself as. On the contrary, this old man was most helpful: He told us that there was an old RV abandoned in the woods not far from there we were headed. He’d seen a light on in there, which he’d never seen before the murderer’s escape. We followed this lead deeper into the forest, and soon found the RV the old man had been talking about.
Sure enough, there was a light on.
I was about to advance toward it and bash down the door, but a sound from the treeline behind me made me turn around. The killer, now disguised as a middle-aged businessman in a gray suit jacket which and been torn and tattered by the woods, was standing behind me, looking somewhat confused. He saw me and froze for a split second, giving me the opportunity to charge at him. But he pulled out a series of small pointed wooden dowels from within his suit jacket and grinned. He held up the strange little weapons for me to see before throwing one at me, knocking the broomstick staff cleanly out of my hands. I looked around for a solid stick instead, but there were none that were sturdy enough. I found one that seemed to be strangest, and lunged at the man, hitting him across the chest with the stick.
But the stick merely bent and snapped. However, it was enough force to cause the murder to lose focus for a moment, and I grabbed both his hands so that he could no throw any more of the strange wooden dowels at me. I grabbed one, and, just as I had with the ice pick months beforehand, I stabbed the pointed end into the inside corner of his left eye. He laughed as I did it, and this angered me, so I took a stab at his throat to make him silent. But the stick would not penetrate his skin, so Tyler stepped in and decked him hard upside the head with his brass knuckles. The man fell back with a grin on his face, blood seeping slowly from the corner of his eye.
I retrieved my broomstick and hit the man hard across both knees so that he could not walk, and we left him there in the woods, hoping that the tigers would find him before the cops did.
Back at the orphanage, the fanfare over the psychopathic murderer’s escape had died down. We told no one of what we had done or where we had been. We merely joined the feast and then went our own ways, but a short while later, I noticed an old beat-up RV in the parking lot…
Wasting no time, I called the police and told them once again that we had a problem. They laughed and said there was no way the murder could have survived in the woods; the RV outside was probably someone visiting the orphanage, and was nothing to get concerned over.
But I recognized the RV. It was, without a doubt, the killer’s, and I was not about to let him sit out there and taunt me.
However, before I could do anything about the situation, I awoke to the sound of my alarm, and as soon as I opened my eyes, I could feel the pain from my migraine wash over me. There was no way I’d be able to make it through class. I turned off the alarm and went back to sleep.
The dream had changed.
I was now standing beside a creek at the Oregon Country Fair, except it was not summertime, and the people gathered around me were not peaceful hippies. This seemed to be more like a renaissance festival, and I was somehow coerced into fighting with my broomstick staff against some of the best fencers out there. But, true to form, I never lose a fight in my dreams, so even though it was tiring and painful, and I had no idea what I was doing, I beat up everyone who dared to fight me. When it was over, I didn’t claim my trophy; I wandered off to be alone by the creek for a while.
But the creek had changed to a river, which widened into an ocean. I’ve dreamed of this ocean before; it looks like the ocean in Cayman, except that the coastline is not flat and sandy; it is rocky and jagged like the Oregon coast, and dotted with tiny islands connected by a network of sandbars which one can walk across barefoot, though they appear to be sitting in deep ocean water.
At a point in the coastline, there is a cove which hides the very top of an old mansion with a lighthouse perched atop the roof. I walked over to this mansion to find that it was abandoned, and let myself in through a broken window. Everything within is beautifully decorated with deep red velvety colors and dark hardwood floors. There are boxes of personal belongings stacked all over the place, and a wood stove fireplace in one corner. Outside, overlooking the coast, is a hammock made from the same deep red velvet that accents the rest of the room.
I hear a thud come from the lighthouse portion of the house.
Upon investigation, I discover that the stairs leading up to the top of the light house also lead down into the depths of the house. This is where the thudding sounds are coming from. Curious, I follow the sounds into a basement full of more boxes, and sense the presence of someone familiar here.
Amid the boxes, in the dark room, I can eventually make out the outline of a man in a suit jacket. He is swinging from a rope around his neck, and each time he swings back, his boots strike an empty box behind him, producing a thudding sound. He appears dead, but I know better than to believe this. Instead, I tell myself that I have dealt with him enough for one day, and bring myself to a state of wakefulness, though I know that the pain from my migraine will probably be worse than the pain I may experience if I allowed the dream to continue. It’s time to take some meds anyhow.
You’re the kind of boy whose ego is disproportionately large,
In comparison to the size of your cock.
You think you’re invincible, and yet I denied you.
I wonder how that felt when I refused to move for you,
Refused to let out the sigh of pleasure you so misleading thought
You could induce by running your hands all over my body.
Truth is, I hated you.
The colors I saw in my head made me shake,
As if I were about to jump headlong into a fray.
I wanted to punch you.
I felt sick.
Someone hurt you once.
They did it on purpose,
Very deliberately, and with intent to leave scars.
They left burns, kinda like mine,
Except mine are cooler.
And though I don’t know why they did that to you,
I can’t help think that you deserve it now,
After the stupidity you expressed
In trying to keep us apart.
I won’t pretend that I’ve not done stupid shit in my life…
I let you into my room and invited you to the woods, after all.
I knew it was a bad idea. I didn’t know I’d be so right.
I’ve kissed venomous cobras,
Eaten live scorpions,
Swam with sharks.
And I thought hanging out with you,
The enemy,
Might prove to be somewhat thrilling.
I’ve realized now that I was having more fun without you.