To me, Nature is God. Without it, we simply would not exist. Conserving the world’s natural spaces and the creatures that live there is paramount to the survival of humans as a species, and I have therefore dedicated my life to studying environmentalism in order to help people co-exist more successfully and sustainably with the natural world.
All natural materials I use in my creations are either sourced from roadkill, Fish and Game, secondhand sources such as fellow artists and estate sales, or are antique. In this way, I'm ensuring that no animals were needlessly killed for the sake of the artwork I produce. I fully believe that no part of any creature should go to waste if a purpose can be found for it, but I do NOT support trophy hunters or overseas fur farms by buying 'byproducts' like bones, skulls, or claws directly from them. The only exception I make for this rule is for parts from animals legally culled for population control programs approved by Fish and Wildlife.
As a photographer and wildlife enthusiast, I've been involved with many fantastic organizations such as Images4Life and Wild Tiger, as well as the Sierra Club and many smaller, local groups.
I've been published, interviewed, and even featured on Rainn Wilson (Dwight from “The Office”)'s personal networking website, SoulPancake.com.
I’ve also been blessed with the opportunity to visit many of the world’s most amazing wild places, like Komodo Island, Bali, Lombok, Malaysia, and the Cayman Islands, and have even documented entirely new species previously unknown to science.
Other interests include: Wilderness survival, primitive skills, backpacking, fishing, kayaking, boffing, airsoft, snowboarding, meandering around town, and caving.
Catching Elephant is a theme by Andy Taylor
I hate the number 333. It hurts to even type it. It makes me feel almost physically sick. And I don’t even know why. The color of the number isn’t anything unsightly (just a VERY intense deep green color), nor is the personality of green particularly offensive. It’ just something about that number that’s so….GRRR.
Anyone else have weird synesthetic experiences like this?
Infants Possess Intermingled Senses
What if every visit to the museum was the equivalent of spending time at the philharmonic? For painter Wassily Kandinsky, that was the experience of painting: colors triggered sounds. Now a study from the University of California, San Diego, suggests that we are all born synesthetes like Kandinsky, with senses so joined that stimulating one reliably stimulates another.
The work, published in the August issue of Psychological Science, has become the first experimental confirmation of the infant-synesthesia hypothesis—which has existed, unproved, for almost 20 years.
Researchers presented infants and adults with images of repeating shapes (either circles or triangles) on a split-color background: one side was red or blue, and the other side was yellow or green. If the infants had shape-color associations, the scientists hypothesized, the shapes would affect their color preferences. For instance, some infants might look significantly longer at a green background with circles than at the same green background with triangles. Absent synesthesia, no such difference would be visible.
The study confirmed this hunch. Infants who were two and three months old showed significant shape-color associations. By eight months the preference was no longer pronounced, and in adults it was gone altogether.
The more important implications of this work may lie beyond synesthesia, says lead author Katie Wagner, a psychologist at U.C.S.D. The finding provides insight into how babies learn about the world more generally. “Infants may perceive the world in a way that’s fundamentally different from adults,” Wagner says. As we age, she adds, we narrow our focus, perhaps gaining an edge in cognitive speed as the sensory symphony quiets down.
Read about this study in “Blue Cats and Chartreuse Kittens” by P. Duffy when I first found out that I had synesthesia. Amazing to think that EVERYONE had synesthesia at some point.